Shipping calculated at checkout
Out of stock
Release Date: September 25, 2026
Pickup currently unavailable
Please note:
ALL NEW: While we do our best to ensure that our images are up to date, if you are looking for a specific cover or specific color vinyl, please send us an email to verify before purchasing.
All USED: Pictures of the actual item are featured. What you see is what you get on those. Unless otherwise noted, inner sleeves are unremarkable. Feel free to contact us with any specific questions that you have.
New York Noise - Dance Music From The New York Underground 1978-82 2LP NEW
Soul Jazz Records
Soul Jazz Records’ new edition of their classic New York Noise: Dance Music from The New York Underground 1978-82 freshly remastered and loud. // “New York Noise is a comprehensive look at the post-punk and no wave era, a short period in time whose influence is still immeasurable and sensed today.” The Guardian // “One of the most satisfying archival collections, Soul Jazz’s compilation New York Noise 1978-1982, gathers far-reaching tracks from such diverse acts as Liquid Liquid, Material, and Glenn Branca.” Pitchfork // This new 2026 edition features classic New York post-punk, punk funk, synth wave and no wave tracks from Arthur Russell/Dinosaur L, James White and the Contortions, The Theoretical Girls, Mars, Konk, Material, Bush Tetras, Lizzy Mercier Descloux alongside rare tracks by the likes of Alan Vega (Suicide), Chain Gang and Implog. // ‘New York Noise’ sums up the point in time and space where dance music and punk rock first met as New York’s No Wave artists such as Glenn Branca, James White alongside new york dance music’s experimental pioneers such as Arthur Russell (Dinosaur l), Bill Laswell (Material), and Konk created new musical art forms out of this union. The album comes complete with original extensive sleeve notes and exclusive photography. // “Compilations like this are necessary because they document bygone fragments of time and keep them alive for younger generations. Compilations like this are dangerous because they tend to fall in the hands of young bands who spend more time looking behind than ahead.” All Music